A sculptor taught herself 73 craft categories — chair caning to leather tooling — to compete in the state fair. Now her work is in art museums.
The New-York Historical Society’s show on the Vietnam War highlights racial and class divisions, generational rifts and government mendacity.
An Oslo building seen as a symbol of social democracy, and damaged in a deadly 2011 car bombing, is to be torn down, with its artworks relocated.
The Obamas have chosen Kehinde Wiley and Amy Sherald: one established artist, one on her way.
The timing of the FIAC and Frieze art fairs means that few visitors can accommodate both. How do savvy buyers choose?
Reopening after a $143 million renovation, which removed a thousand seats, Cincinnati’s stately Music Hall offers a model for Lincoln Center.
Anthony Hernandez’s photography, Tom Friedman’s short animated videos and Julia Bland’s fiber weavings are among the works on display around town.
Patty Chang’s show at the Queens Museum sees water as a metaphor for gender fluidity, migration and life.
In “Generation Wealth,” the photographer shows that she can satirize her subjects. But does she give insight into why we live the way we do?
Part of the artist’s current solo at James Cohan’s Chinatown space, “August,” reads as nasty condescension.